MoviesMusicClose Encounters of a Pop Culture KindMiscellaneousWho is teh Pop Culture Addict?Contact these crazy kids!

Lincs

 

July 30th, 2005


Transferring comic books to the screen can be a perilous thing to do. In an era where Hollywood is bringing more and more comic books to the silver screen and, to a lesser extent, to television, there is one thing that can make or break the studio's efforts: the comic book fan. Oh, the comic fan is a fickle sort who takes their dedication to this art form to new heights. They demand perfection in both story, characterization and, most importantly, casting. To miscast a character is the worst crime a Hollywood casting director can commit (i.e. David Hasselhoff as Nick Fury - what was THAT casting director thinking?). Sometimes the roles are obvious. Actors like Hugh Jackman, Christopher Reeve, Jack Nicholson, Toby McGuire, Michael Rosenbaum and Patrick Stewart are Hollywood casting directors' wet dreams. Then there are actresses like Yvonne Craig and Noel Neill who were so successful in their roles as Batgirl and Lois Lane that the comic book themselves changed to write the character to be more like their screen counterparts. Yet in all the debates of "who should be cast as who" and "who was the best [fill in the character's name] ever" one piece of brilliant comic book casting goes unnoticed and unappreciated in the history of bringing comics to the screen. The actor - Lyle Waggoner. The character - possibly one of the hardest roles to cast for - Wonder Woman's romantic interest Col. Steve Trevor. What? Am I serious? Lyle Waggoner? Steve Trevor? Before you ask what kind of crack I put in my Fruit Loops let me explain in what I call:

BECAUSE YOU DEMANDED IT

(WELL TWO OF YOU DID ANYWAY)

CONFESSIONS OF A POP CULTURE ADDICT IS PROUD TO FINALLY PRESENT

LYLE WAGGONER: THE MAN WHO WOULD BE STEVE

Lyle Waggoner was many things. Actor. Game show host. Announcer. Playgirl centerfold. Politician. All 'round 1970s stud. However to most people he will forever be remembered as the heroic Col. Steve Trevor, the lucky bastard who got to make puppy dog eyes at Linda Carter every week on "Wonder Woman" in the late 70s. Now stories have been told and tales have been related about the difficulty in casting Wonder Woman. However, although most probably have never thought about it, the casting of Steve Trevor would have been difficult, if not even harder.

Let's take a look at Steve Trevor for a little while, shall we? Now I'm calling on all the die hard comic book fans out there to answer this question: what can you tell me about Steve Trevor? Let's see... Steve is a pilot who was shot down near Paradise Island during World War II and saved by Princess Diana who then fell in love with him which prompted her to leave Paradise Island. In the old school Wonder Woman mythos he is Diana Prince's boss and, in the classic comic book cliché, thinks that Diana is a mousy coward while his heart belongs to her alter-ego. What else do we know about Steve? He's good looking, brave, can handle himself in a fight but is always getting captured and Wonder Woman needs to save his sorry ass time and time again. Can you tell me anything else about Steve Trevor? Anything? The honest truth is that the character of Steve Trevor was always kind of underdeveloped and cardboard. Aside from being the man that Wonder Woman is helping out, Steve Trevor had very few qualities that made him stand out. While characters like Superman and Spiderman have supporting casts that are often more interesting than the heroes themselves, Wonder Woman was hanging out with a man who was about as interesting as melba toast. However the reason for this might not obvious. In the case of Wonder Woman, in an industry that had not yet gotten used to female characters being the hero, the male character couldn't overshadow her. If Steve was made more charismatic than Wonder Woman it may have no longer been her strip - especially in the 1940s and 1950s.

The problem facing the Hollywood casting directors would have been similar. The man who played Steve had to be good looking and charismatic enough for the viewers to like him, but he couldn't be more interesting than the female lead. So his screen presence, at best, had to be likeable but mediocre. Furthermore, you had to have an actor that could hold his own in a fight, but be able to believably be overtaken by bad guys so Wonder Woman could save him every week. So, while the character couldn't be a super ego tough guy (a la Steve McQueen) he couldn't be a wimp either or the audience wouldn't like him. So there was the problem. Steve Trevor has no defining characterization, he has to be charming but not overly charismatic yet still appealing enough for the viewer to like him, he has to be strong but not look like a pansy when he gets his ass kicked, and both likeable and forgettable all at the same time. And to think that people think casting Superman is hard! Steve Trevor is a far bigger enigma.

Enter Lyle Waggoner. In 1975 Lyle Waggoner was no stranger to show business. First gaining the public spotlight as the announcer and occasional actor on "The Carol Burnett Show", Waggoner had hosted the popular game show "It's Your Bet" and had even been featured as the very first nude male centerfold in Playgirl's 1973 premier issue. The prospect of being in a television series featuring super heroes was not an alien concept to Waggoner either as he was actually one of the original actors that was considered for the part of Batman in the 1960s TV series, losing the part to the even more cardboard Adam West. However Waggoner not getting the part of Batman was fate's way of leading him to the part of Steve Trevor. Lyle Waggoner was perfect for the role. Let's put it this way, he was good but not what one would call the biggest leading man in the history of television. Most importantly, he had a twinkle in his eye and a gleam in his huge teeth that made everyone like him. He was not Steve McQueen, but then you didn't want Steve McQueen overshadowing Linda Carter anyways. Nope. Not anybody could play Steve Trevor but Lyle Waggoner was up for the job.

Now why Lyle Waggoner probably isn't remembered among the A-list of actors in comic book productions is this: he was a mediocre actor playing a lackluster character. However that's where his brilliance lay! The viewer didn't hate Steve enough to see him die but at the same time you had to roll your eyes when he said lines like, "Oh! Hi Wonder Woman! What are you doing in the depths of Lebanon? And where did Diana go?" prompting you to scream back at the TV, "God dammit Steve! That's just Diana without her glasses and wearing a lot less clothing! Gah!" There was also something kinda cool about Lyle Waggoner in his wide collared shirts, brown suits and big hair. He was a stud, but the type of stud that you wouldn't mind your sister with. He was the kind of guy men wouldn't mind going out for a beer with and that women wouldn't kick out of bed for getting cracker crumbs in the sheets. But most importantly was that Steve never seemed to mind when he didn't save the day. He helped a bit but Wonder Woman always caught the bad guy and Steve was man enough to realize that the point wasn't being the hero as much as that the crooks were caught. As the series went on and Linda Carter's popularity grew, the Steve Trevor role got smaller and he went from co-star to supporting cast. The producers obviously wanted more Linda Carter and less Lyle Waggoner. The fact that Lyle Waggoner was also adding running for office as mayor of Encino, CA to his busy schedule may have had something to do with his stepping down in screen time during the second season of "Wonder Woman" as well. However, in the episodes after the first season, when the series jumped from the 1940s to the 1970s and Waggoner was now playing Steve Trevor Jr, a revolutionary thing happened in action/adventure shows in the 1970s. Diana and Steve were no longer employee/boss as much as they were equals. Sure, Steve had a higher position for the government agency they worked for, but Steve was not so much a boss as he was just the guy sending Diana out into the field to take the cases on her own. For a 1970s stud like Lyle Waggoner to be billed as an equal to a female character showed a lot of integrity. You didn't get that kind of thing going on over on Starsky and Hutch.  But it should be pointed out that in his three years as Steve Trevor, Lyle Waggoner never advanced the role's characterization any further than it was in the comics. What could you say about the TV Steve Trevor? He was a good guy. He was strong and capable in a fight. He dug Wonder Woman and that was about it. The most important thing was that you liked Steve Trevor enough - and Lyle Waggoner succeeded in giving us that. Bringing a cardboard two dimensional character to life, leaving him two dimensional and not making us realize it is why Lyle Waggoner was brilliant!


And what has happened to Lyle Waggoner in recent years? Sure, he's not exactly at the tip of our tongues or a daily presence on our television sets. However you can often glimpse Lyle Waggoner guesting on various television shows. He is also active in movies - although most are B-films such as "Dead Woman in Lingerie", "Cyber-C.H.I.C." and "Wizards of the Demon Sword". Yet Lyle Waggoner's current way of making a living is as owner and president of "Star Waggons", the world's largest movie location rental trailer supplier. Get it? Wagons+Waggoner=Waggons. Heh heh.

However anyone who lived in the 1970s will always remember him as Steve Trevor. They might not remember how good he was because his character was unmemorable. They might not remember watching him much because they were too busy watching Linda Carter (god knows I was). So next time you talk comic book casting, throw a bone to Lyle Waggoner. Nobody could have been a better Steve. Oh - and best of luck to the poor bastard that has to cast Steve Trevor in the upcoming Wonder Woman film. You have a hell of a time ahead of you. Lyle Waggoners don't come around everyday you know.

 

 

Site concept and design by Candace Shaw of Secret Frequency.

All content copyright Sam Tweedle 2006.

All images that appear on this page are used under the Fair Use provisions of United States copyright law, and are presented in this non-commercial venue strictly for pubic benefit (educational).