April 15th, 2007
Question
for you - what do Annette Funicello, Haley Mills, Kurt Russell, Jodie
Foster, Lisa Whelchel, Stacey "Fergie"
Ferguson, Britney Spears, Christina Aguilera, Justin
Timerberlake, and Lindsey
Lohan all have in common? Well, all ten of
them were either discovered, or had huge career boosts, as the result of
working in Walt Disney productions. In fact, the Walt Disney Company
has been responsible for discovering and cultivating some of the
worlds biggest and brightest members of our
pop culture journey from when they were still young kids. However, for
every child star that made it big out of the Disney Company another
dozen failed. The ones that failed ended having nothing to show for it
but a few dusty screen credits and a fist full of musty memories and
broken dreams of stardom. This couldn't have been truer for Darlene
Gillespie. One of the most popular Mousketeers in the original
"Mickey
Mouse Club"
that ran from 1955 to 1958, Darlene Gillespie rivalled Annette Funicello
for the most popular girl on the show. The multi talented, pretty
little girl with the big smile and a voice that could have put her right
in with the McGuire Sisters, Darlene had stars in her eyes and felt that
fame was surely hers. It had to be! Walt Disney himself favoured her
greatly and promised the little girl that she was going to be a star.
However, although ambitious and driven, a series of m
isfortunate
set backs, studio politics, and casting decisions prevented Darlene from
the stardom she desired. In the end what emerged was a troubled woman
with shattered dreams and a lust for the fame and fortune was never
hers. This desire to have what she couldn't attain would lead her into
legal trouble with the Disney Company and eventually a string of run-ins
with the law that put Darlene Gillespie behind bars. However, Darlene's
troubles were not the typical type of "child star gone bad" tales that
we see in the media everyday. They were the product of a love affair
with the wrong man and the greed that could only come from a woman who
felt that Mr. Disney had turned his back on her. Yet, although Darlene
publicly claimed that Walt Disney gave up on her and didn't come through
with the promises he made her, the evidence shows a different story.
Darlene Gillespie was being primed by the Disney Company for stardom!
Walt Disney gave her multiple chances. So, it has to be asked what
went wrong, and how did Darlene Gillespie become the most notorious of
the original Mousketeers? Come dear friends
and readers as we look at the tragic story of a little girl with talent
as big as her smile, but whose shattered dreams led her down a dark path
of greed and crime as we look at the life of
DARLENE GILLESPIE:
WALT DISNEY'S BAD SEED
Now,
stories of child stars gone bad are nothing
new on the pop culture landscape. It's not even that rare of a thing
when it comes to Walt Disney productions. In fact, Bobby Driscoll,
Hollywood's first child star gone bad, was a Disney kid starring in
"Song
of the South",
"Treasure
Island",
and as the voice of Peter Pan. However, unlike most of the child stars
whose trouble started when they disappeared due to the fact that they
were cast because they were cute instead of talented, Darlene Gillespie
was a different story. Darlene Gillespie wasn't a child star that
coasted on her cuteness. Darlene had drive, ambition, and talent. She
had real talent, big talent; the type of talent that, during an audition
of hundreds of hopefuls, attracted the attention of Walt Disney himself.
He immediately signed her to a contract and gave her a promise as big as
her talent. Walt Disney told Darlene that she was going to be a star -
a big star. However, it was this promise which began the path that
lead Darlene down one of the darker trails
upon the pop culture journey.
When Darlene Gillesp
ie
was interviewed in 1976 as part of a Mousketeer
reunion on "The Mike Douglas Show," Darlene told Douglas that she had no
dreams of stardom as a child and merely stumbled into the auditions
during a tour of the Disney Studios and auditioned on a whim by singing
her favourite song - the very popular theme to Walt Disney's "Davy
Crockett." It's a charming story which sounds like most stories of
accidental stardom, but like all myth building stories, this couldn't
have been further from the truth. Darlene Gillespie was part of a show
business family and from as early as the age of ten she was thrown into
the world of entertainment with her mother putting her into both voice
and dance lessons. From a young age there was the expectation that
Darlene would be a star, and that expectation of stardom became her
reality.
Born
in Montreal, Darlene was the oldest daughter of the famed dance team of
Larry Gillespie and Rean
Tibeau. In the early 1940s the Gillespie
family relocated from Canada to Los Angeles where Larry worked at an
aircraft company while Rean pursued a career
in show business. However, when Rean
realized that her career was just not coming together, she turned her
attention into making her children stars instead. Obvious attention was
put upon the oldest child, Darlene. Energetic, beautiful, and charming,
Darlene was blessed naturally with a strong singing voice and, at age
eleven, was sent to dance lessons under choreographer Burch Mann. This
was the beginning of her journey into stardom as Ms. Mann was contacted
by "Mickey
Mouse Club"
producer Bill Walsh to help him find some kids for the new afternoon
kids show that Walt Disney was developing. Ms. Mann rounded up a number
of her star pupils and sent them on the audition. Out of her pupils
three were hired by Walt Disney for
"The
Mickey Mouse Club"
- Bonnie Lou Kernn, Mary Espinosa, and, of
course, Darlene Gillespie. It was during this audition that Darlene met
Walt Disney and, in turn, was hired on only a single audition. For the
record, her audition piece really was the theme for Davy Crockett.
Obviously that was the only true part of the story Darlene would tell
Mike Douglas decades later.
Now,
at age fourteen Darlene was a tad bit older than the rest of the kids
that were hired for "The
Mickey Mouse Club"
and it was believed that Darlene was going to act as the Club's head
girl. She would be the girl that other girls would look up to and,
perhaps, see as a big sister. She and Bobby Burgess would be teamed up
as the older pair, while Cubby and Karen were to be the youngest, with
all the other Mousketeers floating around the middle. However, as
nearly as she had found stardom, her first obstacle came between her and
fame before the cameras were even turned on. Near the end of his search
for children Walt Disney spotted twelve year old Annette Funicello
dancing in a production of Swan Lake. Finding
out
that her modeling and dance career was levelling off, Disney immediately
got Annette to sign an exclusive contact with the Walt Disney Company
and pop culture history was created. Annette, of course, would become
"The
Mickey Mouse Club's"
biggest icon, an early sex symbol for an entire generation of little
boys and, hands down, the most famous Mousketeer
in Walt Disney productions. Yet, when
"The
Mickey Mouse Club"
aired in 1955 nobody knew how popular Annette was going to be. Within
time, Annette's popularity would prove to be an ongoing thorn in Darlene
Gillespie's side. You just couldn't have two pretty and talented girls
on a single set! Although it appeared that there were no rivalries on
"The
Mickey Mouse Club"
set, as years went by the often one sided rivalry between Annette and
Darlene would become very evident to anyone who read between the lines,
and would eventually damage Darlene's reputation and career.
However,
before Annette-mania took flight a lot of focus was put on Darlene in
the first season. Popular with
"The Mickey Mouse
Club"
crew, as well as the parents of the audience, Darlene received a good
percentage of the musical numbers and became the head dancer as well
(although this may not be a shock considering the choreographer hired
for the first season of the show was Darlene's own dance instructor
Burch Mann). Furthermore, backing up Walt Disney's promise that she was
star quality, Darlene was chosen by William Baudine
Sr. to be the star of "The
Mickey Mouse Club's"
very first "spin off" serial, "Corky and the White Shadow." Now, for
those unfamiliar with "The
Mickey Mouse Club",
the "serial" was a series of fifteen minute live action programs that
were featured at the end of "The
Mickey Mouse Club".
In the same tradition of the Saturday morning movie serials, each
episode ended with a cliffhanger. The
serials took a life of their own and often became even more popular than
"The
Mickey Mouse Club"
itself. As a result, a lot of production and money were put into the
serials and inclusion in a serial was a pretty big deal for a
Mousketeer. Thus, to be the star of the
first serial was a huge testament for the faith that the Disney Company
had in Darlene Gillespie. However, as we'll see, the hunger for those
serial roles would go on to be her downfall as well.
Now,
"Corky
and the White Shadow"
was not the story of a downs syndrome basketball player. Featuring
Darlene, television icon Buddy Ebsen, and a
white German Sheppard named Chinnok, "Corky
and the White Shadow" was kind of a cross between
"Veronica
Mars"
and "The
Littlest Hobo",
but set in the old west. Darlene played the title character Corky, the
daughter of a widowed sheriff, played by Ebsen,
who, with the help of her super intelligent white German Sheppard,
Shadow, helped her father track down a pair of bank robbers over
eighteen cliff hanging episodes. Although "Corky and the White Shadow"
never received a second series, the serial remained a favourite amongst
viewers and spun itself off in album recordings and even a comic book
series. After the production wrapped up for "Corky and the White
Shadow," Darlene was back on "The
Mickey Mouse Club"
set, and, as a result of her popular performance in "Corky", Darlene was
cast for Disney's next live action film "Westward Ho! The Wagons!"
staring Fess Parker, Sebastian Cabot, and what would be tragic actor
George Reeves' final production. Unfortunately, the first major setback
in Darlene's career happened. Although already in preproduction, due to
being overworked, Darlene was stricken with pneumonia. Obviously drive
and ambition came with a price. Bed ridden for six weeks, her part was
relinquished to fellow Mousketeer Doreen
Tracy. Although the film wasn't a giant success, the loss of the part
had a giant impact on Darlene's psyche. When Darlene returned to
"The
Mickey Mouse Club"
set she came back with a lot more edge, which led to an almost cut
throat competitiveness from her towards the other Mousketeers. Things
were never quite the same for Darlene again but they were about to get
worse as the second season of "The
Mickey Mouse Club"
began filming and it was getting pretty obvious that Annette-mania was
on the rise.
Season two of
"The
Mickey Mouse Club"
had Darlene struggling in a one sided tug-of-war fo
r
top girl with Annette Funicello. Over the summer, due to audience input
and heaps of fan mail, it was pretty obvious that Annette Funicello was
the icon of the show and, as we all know, Walt Disney was a man of
business and knew a good opportunity when he saw it. As a result much
more focus was put on Annette Funicello. Annette became the star of
multiple serials, including worming her way into the second instalment
of the popular "Spin and Marty" serial. Studio politics, as well as the
voice of the masses were making Annette a star, and Darlene was being
forced to take a back seat. Making things worse for Darlene's situation
was that her two main supporters in the Disney camp (Birch Mann and
director Dik Darley)
had left the series. However, it has been speculated that as a result
of her damaged ego and her hunger for fame Darlene had began to gain a
bit of a bad reputation for being difficult to work with while Annette,
who was not only charming and pretty but, by all accounts, a genuinely
nice kid, was the kind of kid that directors dreamed to work with. A
big indication that this was true was when Mickey Mouse Club leader
Jimmie Dodd began to bring the Mousketeers on the road and overseas but
he didn't take Darlene with him, despite the fact that she was still one
of the most popular Mousketeers! Furthermore, while Mousketeers were
doing advertisements and other personal appearances, Darlene never
participated. It just seemed like nobody was interested in working with
her. Now, you don't just go from starring in your own serial to sitting
alone in the shadows. It can be assumed that bitterness was forming
within this talented little girl and that the casting directors saw it.
However, Disney hadn't exactly given up on her yet. Sure, more
attention was being put on Annette but Darlene was still getting
opportunities to shine in the spotlight! Darlene was still the leader
of the majority of the musical numbers on
"The
Mickey Mouse Club",
and when "Spin
and Marty"
started its third seria
l
Darlene was added to the cast as Annette's counterpart. Darlene even
had the opportunity to record her own album on Walt Disney records
called "Darlene of the Teens," and in 1957 Darlene was cast by Disney to
play Dorothy in a pilot for a Wizard of Oz television series he was
planning called "Rainbow Road to Oz." Although the series never made it
past an airing on "The Wonderful World of Disney," a plum part of
Dorothy in a Wizard of Oz production produced by Walt Disney is a pretty
nice deal. These are not the kind of solo opportunities that are given
to a kid that the Disney Company had given up on. Darlene's potential
was still being recognized by Walt Disney. However, when you're looking
the gift horse in the mouth, you gotta make
sure not to piss it off. Darlene just didn't know how not to do that.
Despite the fact that she was given all these opportunities it seemed
that one kept eating away at her - Annette Funicello was a bigger star.
Darlene's
jealousy and growing dissatisfaction became stronger when it was
announced that she was going to be starring in a season three serial
called "Margaret" in which she was going to play a country girl who
moved to the city and had to adapt to high society without compromising
her own sense of self. However, as the result of the success of Annette
and Darlene's roles in the third
"Spin
and Marty"
serial it was decided that Annette would be cast in the lead role, while
Darlene would play her city cousin Jet. Renamed "Annette and Darlene,"
the serial would be kind of a country mouse/city mouse story with
Darlene being the aggressive city girl that learns from Annette's
kindness. Obviously a little bit of typecasting was going on in the
rewrite. However, within months of the rewrite Darlene was dropped from
the production and the serial was finally renamed simply "Annette" as
Darlene's part was recast with Judy Nugent in the role. It has been
suggested that Darlene was dropped from the cast because of her issues
with sharing billing with Annette on what she deemed to be "her"
serial. The official statement by the Disney Company was that they were
saving Darlene for a bigger film project. Evidence shows that that film
project was none other than the lead role in what would become the
highly successful feature film "Pollyanna." A letter campaign by
Darlene Gillespie fans was organized as the result of her getting
dropped from the "Margaret" serial which, in a horrible twist of fate,
was reported by the Los Ang
eles
Examiner as being organized by none other than Darlene herself as an
attempt to regain the studio's attention away from Annette and back to
her. It will probably never be proved as to whether or not Darlene had
pulled this stunt but the accusation put a giant wedge between her and
her employers. However, it was too late anyhow. The third season was
the last for "The
Mickey Mouse Club";
Darlene's contract ran out later that year in 1958 and she never worked
for the Disney Company again. "Pollyanna" was eventually made with
Hayley Mills, making her a star. Finally,
as the ultimate dose of salt in the wounds, the only
Mousketeer that Disney resigned was Annette
Funicello. Darlene's shot at stardom had come and now it had gone.
Now,
just because you got dropped from
"The
Mickey Mouse Club"
didn't mean career death. After the Club folded other Mousketeers were
finding success in show business. Bobby Burgess became a staple on
"The
Lawrence Welk Show",
Johnny Crawford got hired onto "The
Rifleman",
Paul Peterson was on "The
Donna Reed Show"
and was a big teen idol, and Don Grady was one of the sons on
"My
Three Sons."
Also, other members of the cast were making appearances on all kinds of
television programs. However, Darlene seemed to have a far harder
struggle in staying in the spotlight. While she wasn't necessarily
blacklisted, the accusation by the Examiner stayed in the minds of
casting directors and Darlene had trouble getting work afterwards. She
tried a number of night club acts, made a few television appearances,
and even lowered herself to staying alive doing car commercials.
However, by the end of the 1960s Darlene realized that she may have to
leave show business behind and get a real job. Darlene studied to
become a nurse Getting a job at Los Angeles' Valley Presbyterian
Hospital's emergency room, it has been said that Darlene developed an
even colder and cynical outlook. Called "Nurse Mouse" behind her back,
Darlene would become hos
tile
towards people who brought up her Mousketeer
career. This was very evident in the 1970s when Darlene tried to
resurrect her career as a country singer. Renaming herself Darlene
Valentine she would, of course, get asked by interviewers about her time
with the Disney Company in which Darlene would become rather jaded and
cynical about the whole affair stating that Disney had used her and spit
her out. There was really no love between her and her old employers.
It was clear that Darlene had nothing but bottled up anger and
resentment. Her career as a country artist dried up nearly as quickly
as it had began, but Darlene would make headlines again over a decade
later when she brought her anger towards the Disney Company to a head
and, in 1990, attempted to sue her former employers. Claiming that she
had been cheated out of thousands of dollars, she accused Disney of
making approximately ten million dollars from the show and felt that she
was owed royalties. However, Darlene went a step further and added that
she was suing because Walt Disney didn't come through in his promise to
make her a star. Obviously, what Darlene's real issue was not royalties
but a lifetime of hurt feelings that her big shot didn't pay off.
Darlene's failed dreams of stardom had obviously scarred her in ways
that nobody could have ever imagined. However, evidence was brought
forth that Walt Disney productions hardly made any profit at all on The
Mickey Mouse Club, which had a lot to do with the shows cancellation.
In fact, Walt Disney himself had sued ABC television in 1959 over lost
profits from The Mickey Mouse Club. As a result Darlene's case had no
credibility.
However, Darlene's
situation would worsen. You see, while most child stars find their
criminal activities motivated by narcotics, Darlene's drug was a con man
convicted multiple times named Jerry Fraschilla
who she became romantically involved with around the same time as she
was suing the Disney Company. Six years after the case folded, Darlene
and Fraschilla were arrested by pulling a
Wynona Ryder and shoplifting four men's shirts from a department store.
The couple got off with a minor senten
ce
of community work and probation, but that was just the first of a string
of run-ins with the law. Throughout the 90s Darlene would participate
in a series of fraud schemes that were masterminded by
Fraschilla. In 1998 the couple was arrested
and accused of committing conspiracy, securities fraud, mail fraud,
obstruction of justice, and perjury. Fraschilla
was accused of twenty-one accounts of fraud, while Darlene was tried as
his accessory to the crime. In an attempt to take advantage of the
Fifth Amendment, Darlene and Fraschilla were
married in December 1998 but both were convicted. Darlene got two years
in prison, but was released after only 18 months due to good behaviour.
However, Darlene and Fraschilla were back in
court in 2005 for defrauding a law firm of $317,000 by placing a false
class-action lawsuit claim. Thus far, a resolution has not been made
over this crime.
So what can be said
about the Darlene Gillespie story? Well, this is not the typical story
of the Hollywood failure. This is not the usual spectacle of a fallen
star. No, Darlene Gillespie's story is an
unnoticed Hollywood tragedy. How does a kid with so much talent,
ambition and a man like Walt Disney in her corner find her way into the
arms of a con man and a fraud conviction? And are Darlene's bitter
claims that Walt Disney turned his back on her a likely reason? Well,
the facts show that Disney gave her a shot. He gave her more shots than
most kids ever receive. However, ambition, bitterness, rivalry and
jealousy prevented Darlene from reaping the rewards of the Disney
dream. I find it interesting that much of Darlene's legal issues
revolve around large masses of money; the type of money that a major
celebrity would receive. I have no doubt that a big part of her
participation in these schemes is a direct result of her broken dreams
of stardom. It's almost as if she believed that money could fix the
hole
in
her heart which fame was to reside, by paying for the type of lifestyle
that stardom would have brought her. However, in the end, greed took the
place of ambition and crime took the place of talent.
Darlene Gillespie
should not be seen as the typical child star gone bad freak show.
Darlene Gillespie is a tragedy. She was far more talented than the
average child star that wanders onto the stage. She shouldn't have
faded into the pop culture void. Yet, when
Fraschilla was the mastermind behind the crimes, it was Darlene
who made the headlines because of who she used to be and what she used
to represent. The media loves the story of the fallen child star. Now,
for the rest of her life, Darlene Gillespie will be remembered as Walt
Disney's bad seed and not as the pretty little girl with a voice and
talent as big as her smile. That fact is the biggest tragedy of all.