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REMEMBERS
JENNIFER JONES
1919 - 2009
“Actually
every time I stop to think about it, I'm really amazed. I think I've
had an extraordinary life. And lots of times I can hardly believe it's
me.” – Jennifer Jones
She
was one of the most acclaimed and popular actresses of the golden age of
cinema but, due to her flight from the public spotlight and her desire
for privacy, five time Academy Award nominee Jennifer Jones has seemed
to have been forgotten by her once adoring public, never finding her way
into the leading lady hall of fame with her contemporaries such as
Ingrid Berman, Bettie Davis, Joan Crawford and Katherine Hepburn. It is
no wonder that when Jennifer Jones quietly passed away on December 17th
at the age of 90 the world barely blinked. However, for a woman who
valued both her privacy and her anonymity, perhaps that’s just the way
that Jennifer Jones wanted it.
Despite the fact
that she may have drifted out of the public spotlight for decades,
during her prime Jennifer Jones was one of the most highly acclaimed
actresses in Hollywood, and lived a life full of love, luck, tragedy,
madness and redemption. Jennifer Jones’ life was a true life Hollywood drama.
Born Phyllis Lee
Isley in 1919, Jennifer Jones was the daughter of a traveling tent
showman who instilling an interest in show business into his daughter
from an early age. However, Phyllis desired to go into a more classic
style of show business and on 1938 she entered the American
Academy of Dramatic Arts in New York City. While studying there she met a young aspiring theatre student named
Robert Walker. The two married a year later and with stars in their
eyes they packed their bags and headed for
Hollywood to try to break into show
business. However, like thousands of similar kids looking for stardom,
the young couple slowly found out that it wasn’t as easy as they thought
it might be. Walker quickly got jobs in radio while Phyllis worked as a
model between radio gigs and minor parts in a John Wayne vehicle called
New Frontier and a Dick Tracey Saturday Matinee serial. Shortly
afterwards the defeated couple moved back to New York City. Little did
they know that it wouldn’t be the last time they saw Hollywood.
With
Walker still doing radio gigs in New York, and Phyllis continuing
modelling, Phyllis got an audition for the lead role of entertainment
mogul David O. Selznick’s upcoming production of Claudia.
Unfortunatly, the reading did not go as planned and Phyllis fled
Selznick’s office in tears. Legend has it that Selznik ran out after
her and, although she did not get the part, he signed her to a seven
picture contract. However, time would prove that Selznick saw more then
just talent in the young actress. Selznick became quite enamoured by
the dark haired beauty and really had no interest if she was married or
not. Encouraging her to change her name to the more glamorous Jennifer
Jones, Selznick brought her to the attention of director Henry King who
cast her as the lead in the 1943 inspirational drama The Song of
Bernadette. The film was a huge success, and not only put Jennifer
Jones on the Hollywood map, but earned her the 1943 Oscar for best actress which she
appropriately received the night of her 25th birthday.
Throughout the rest of the decade Jennifer Jones was one of Hollywood’s
most respected leading ladies who had both a versatile acting range and
could play everything from innocent girls to seductive temptresses,
leading her to further Academy Award nominations including Best Actress
for Love Letters (1944), Duel in the Sun (1945) and
Love is a Many Splendid Thing (1955) and Best Supporting Actress for
Since You Went Away (1944). She was also highly acclaimed in her
role as a ghostly figure in the supernatural love story Portrait of
Jennie (1948), the leading role in the highly controversial Madam
Bovary (1949), and for her role in the Humphrey Bogart thriller
Beat the Devil (1953). However, her climb to fame,
not to mention her new “relationship” with David O. Selznik put a strain
on her marriage and she divorced
Walker in 1945. De spite
finding his own success in films such as As Clouds Role By and
Alfred Hitchcock’s Strangers on a Train, Walker never recovered
from the grief of losing Jennifer Jones, leading him to a life of drugs
and alcohol which resulted in a premature death at the age of 32 in
1951.
After a long
courtship with Selznik after her divorce, Jennifer Jones finally married
the filmmaker in 1949. With Jones being one of Hollywood’s most popular
leading ladies and Selznik being one of film’s most powerful directors,
the pair had the potential to be the most celebrated couple in show
business. However, Jennifer Jones proved to be an incredibly private
woman, shying away from the press, rarely doing interviews and
concealing all she could about her marriage and her private life. In a
rare interview Jones said “Most interviewers probe and pry into your
personal life, and I just don't like it. I respect everyone's right to
privacy, and I feel mine should be respected too.” Yet, as a result of
her professionalism and friendships that she made amongst the Hollywood
elite, her lack of cooperation with the media did not hinder her from
getting roles.
Unfortunately, the
Hollywood fairytale would take a dark turn in 1965 when Selznick suffered a sudden
heart attack that ended his life. Stricken with grief and depression, Jones came to the conclusion that life was no
longer worth living. She began turning down acting roles and surprised
Hollywood when she announced her
retirement from show business. Yet Jones would make headlines again in
1967 when she made a suicide attempt by jumping of a cliff. Jones
survived her fall, but lay in a coma for weeks before recovering. Her
desperate cry for help got her on the path to receiving psychiatric
help, where Jones began a life long interest in mental health issues and
as part of recovery took the occasional film role. Sadly, she was not
able to help her daughter, Jennifer Selznick, who committed suicide nine
years later by jumping out of a twenty story window at age 25. Eerily
enough, Jones’ final screen appearance, only two years earlier in the
classic disaster film The Towering Inferno, had her character
drop to her own death from a high-rise building. Shortly after her
daughter’s suicide Jones started
The Jennifer Jones Simon Foundation for
Mental Health and Education
so that other families would not have to
suffer the same tragedy that befell herself and her daughter.
Throughout
the rest of her life Jennifer Jones stayed relatively quiet and out of
the public spotlight. Remarrying one final time to industrialist Robert
Simon, Jones stayed under the Hollywood radar where she would
not talk to the media, rarely made public appearances and did charity
work. In 1983 she expressed interest in coming out of retirement to
play the lead in Terms of Endearment but was told by director
James L. Brooks that she was to old for the part, who cast Shirley
McLaine in the role instead. With her youth and good looks now faded,
like so many actresses before her Jennifer Jones slipped into
obscurity. As generations of movie buffs changed, Jennifer Jones’
popularity and stardom began to fade from the public consciousness.
However, as far as Jennifer Jones was concerned, that was the way she
wanted it.
Jennifer Jones died
peacefully at home on December 17th, 2009 of natural causes
at age 90. Just as quietly as she lived, barely anybody noticed that
she had gone. Any publicity that she would have received completely
disappeared when two days later a younger, but less successful, actress,
Britney Murphy, suddenly died, completely robbing Jennifer Jones of even
the smallest headlines. Yet, with the world looking towards Britney
Murphy, Jennifer Jones received the quite dignity and privacy that she
always desired. However, while she may have died quietly, she will not
be forgotten by the legion of film buffs who will continue to discover
her beauty and talent in some of the most respected films of the 1950s.
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