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September 26th, 2008
It’s true! From
a line up of women requesting to give him a hug, to cute Goth chicks flashing him wearing
Captain Spaulding thongs, Sid Haig got more attention from women in the
hour I was with him then I’ve gotten all year. Even Faster
Pussycat!.....Kill!....Kill! star Tura “Varla” Satana stopped by to
give him a great big kiss. So what is it that Sid Haig has that attracts
women
to him like mosquitoes to a bug zapper? He doesn't have the boyish good
looks of Leonardo DiCaprio, the sex appeal of Brad Pitt or the mysterious
enigmatic charms of Johnny Depp. No, Sid
I caught up with Sid Haig on the final day of Rue Morgue’s 2008 Festival of Fear in Toronto, Ontario. Sid invited me to sit with him at his table piled with photographs, T-shirts and the very popular Captain Spaulding thong, sprouting the phrase “It Just Tastes So Damn Good.” As a crowd lined up to meet and talk with Sid, buy merchandise and get autographs and photos, Sid multi-tasked by allowing me to monopolize some of his very busy schedule and to speak to me about some of the moments in his career. Now being a career that is so rich in pop culture history as Sid’s is, we didn’t have time to cover all the interesting projects and programs that he has appeared in or the people he worked with, but we did get the chance to talk about most of his major screen appearances, some of the cultural icons he had the opportunity to work with, and talk about the characters that he has created that are beloved by film buffs and horror movie fans world wide. So join me as I talk to a real Hollywood original as CONFESSIONS OF A POP CULTURE ADDICT PRESENTS WHAT’S THE MATTER KID? DON’T YA LIKE CLOWNS?: A CONVERSATION WITH SID HAIG
Sam: Now Sid, I read that you didn’t start in show business as an actor but as a dancer? Sid: Yeah. I started as a dancer when I was six because I was clumsy. My parents didn’t have a lot of money so for entertainment they would just put me in the living room and watch me grow. When I was nine years old I was as tall as my father. He was 5’7”. That’s how fast I grew. By the time I was in high school I was as tall as I am now. So everything started from there. I started getting paid as a dancer at the age of seven. Sam: Do you still dance? Sid: Socially. Sam: So how did that progress into acting. Sid: Well the progression was dancing, music and then acting. Sam: Well you were a drummer, weren’t you? Sid: Yes. I had a band called the T-Birds and we cut six singles for King Records which was Sam Cooke’s label when I was still a teenager. Sam: So how did you get into acting from dance and music then? Sid: It was just a natural progression. When I was acting we did a production of The Wizard of Oz and I kind of really liked that. Sam: Did you play a Munchkin? Sid: No no no. I played the Scarecrow.
Sid. My association with Jack Hill started in 1961; a month after I graduated from the Pasadena Playhouse. His advisor at UCLA phoned one of my instructors, telling her that they were having trouble casting a role so she sent me over and I got the part in Jack Hill’s student film The Host and we’ve been working together ever since. As a matter of fact, Quentin Tarantino found the lost footage from that film and put it all together and it is now on the backend of The Switchblade Sisters. Sam: Do you mind if we talk about Spider Baby for awhile? Sid: I don’t mind at all. Sam: In Spider Baby, as the character Ralph, you do a lot of unique physical acting. You need to move your body in a different way and bring a lot of complexity to a character which is basically mute. Where did you find your inspiration for Ralph?
Sam: Now you have a really amazing chemistry in the film with Jill Banner who plays your sister Virginia, the Spider Baby. I was wondering what working with her was like. I haven’t seen her in anything else but I think she is just amazing in Spider Baby.
Sam: Well Spider Baby was her first film, wasn’t it? Sid: It was her first film. In fact, she lied about her age to get in the film. When she left the house in the morning her mother thought she was going to school but she was coming to the set to do the work. Sam: So did you two work well together? Sid: Oh yeah. Well you see, she was the closest one to [Ralph’s] age so we were kind of close to one another in terms of our demise, so there was that association, so we kept that alive. We used to play together and even when we were on the set we used to play kids games to just keep it working. It was a very good experience. Sam: Now I know you’ve been asked this a million times, but what was Lon Chaney Jr. like?
Sam: Was that hard on him? Sid: It didn’t seem to be because he was so appreciative that people actually thought that he was still alive and wanted to work with him. So it was a rewarding situation for him. Sam: Now Spider Baby was pretty much the last good film he did.
Sam: Were people not willing to work with him during this period? Sid: Well they were a little afraid of him because of the alcoholism thing was very prevalent and almost part of his DNA, so there was that aspect. But at the same time there just wasn’t that much for him because they were all extremely low budget films and they couldn’t afford to use him for more then a day. Sam: How was his frame of mind? I know in his past he had battles with depression and suicide. Sid: Well he was happy because he was doing what he loved.
Sid: Yes. Sam: And she kicks ass. Does she kick ass like that in real life? Sid: Yeah. She did. She’s a pretty kick ass woman. Sam: Was she cool to work with? Sid: She’s very cool to work with. She’s like my little sister. Sam: Are you still in touch with her? Sid: It’s hard to
stay in touch with her right now because she is doing The L Word up
[in Canada] so communication isn’t what it should be but when we did
Jackie Brown Quinton Tarantino didn’t tell her that I was cast in the
film so when I showed up o Sam: Were people casting the two of you together on purpose? Sid: It ended up that way. In the States we take surveys on everything…Fred Olen Ray, who wrote, produced and directed The Warlords, called Variety to give them the cast list for The Warlords and when he mentioned my name the guy said “Wow, his name is popping up all over the place.” [Olen said] “What do you mean” and the guy said that somebody just did a story on films great love duos and Pam and I were number eight on the list. So there you go. The salt and pepper love connection.
Sid: THX. That was fun man. I had the only action in that whole sequence. Yeah. I raped the girl twice. I punched Donald Pleasance in the nose. I killed the robot. What more do you want? It was fun. Sam: Now I know you did a lot of television in your career. Sid: Yup. 350 episodics. Sam: Now when I was
looking through your credits, the one that surprised me the most, and I
must admit because I am guilty of being a fan, is Electra Woman Sid: Holy Jesus! Sam: Now I haven’t seen your Electra Woman episode. Sid: Good. Sam: Do you remember much about it or is it something you don’t want to remember and you don’t want me to ask about. Sid: No. I don’t care. Everybody has done things in their life that they are not proud of and that was one of them. So you just move on. Okay, that happen, forget about it. Sam: Were the Krofft Brother doing mushrooms? Is that how they came up with that stuff? Sid: I don’t know how they came up with that stuff.
Sid: Lee Marvin was great a great guy. Easy to work with, fun, the whole ball of wax. We had the cast party for Point Blank and he and I were hitting the shots pretty good and at one point he said “You know what Sid? You remind me of me when I was a kid starting out.” And I said “Oh, you mean in Battle Cry” and he was totally shocked. He said “I only had one line in it” and I said “I know…but it was cool.” And so we just really got along well. Years later we were both signed to do The Bob Hope Christmas Special. Sam: The Bob Hope Christmas Special? Wow. What a weird project for both of you. Sid: Well, it was when all the hijackings were happening and it was a hijack sketch and I played Fidel Castro and Lee Marvin was an FBI guy or something. Sam: Well that
makes more se Sid: Yeah. A bit more sense. Sam: Now let’s get to the million dollar question. Obviously Rob Zombie’s House of 1000 Corpses and The Devil’s Rejects are a phenomenal success. I know you quit acting for a while because of typecasting. Do you feel that House of 1000 Corpses revived your career? Sid: Absolutely! Sam: Why do you think that Captain Spaulding has become such a popular cult film icon in such a short period of time? What is appealing about the character? Sid: Because people
identify with him because he doesn’t give a shit. You get in his face and
he’ll kill you. Piss him off and he’ll just tell you. That’s it. It’s
just like the kids who come into the store. He has no problem telling
them that their idiots. So people are getting tired of being boxed into
the corner. Government, pressure, m Sam: Where did Captain Spaulding come from? Where was the inspiration for him? Sid: It came from Rob Zombie and I just sort of filled him out. Sam: Are you surprised by the way the audience has embraced House of 1000 Corpses and The Devil’s Rejects? Sid: Yeah. To me I was just there having a good time doing a job and then, bam, all of a sudden everything happened. It was pretty cool. Sam: How about the popularity of the phrase “Tutti Fuckin’ Fruitti” which has already become a quotable classic movie catch phrase. Sid: Tutti Fuckin’ Fruitti! That is the moment in [The Devil’s Rejects] when the audience started rooting for us because everybody sat there watching that scene and said to themselves “You know what? My family would fight over ice cream.” Sam: So…what’s the story behind the Captain Spaulding thongs? Sid: The story behind the thongs is my wife and I were sitting around watching television and I said “You know what? I got an idea.” And she goes “Shit. Now what?” So I told her and she said “Yes. Get on the phone right now and do it” and so there it is. Sam: Well its definatly a bold statement.
Sam: Do you have any plans on working with Rob Zombie in the future? Sid: I just did my voice over work on The Haunted World of El Super Beasto which is an animated feature that just grows everyday. It’s like this giant mushroom. At this point every third actor in Hollywood is in this film. I think Rob’s working on getting the other two thirds. He’s at home in Connecticut right now working on a new script which I hope that I’ll be included in. Sam: Is it a sequel to The Devil’s Rejects? Sid: No no. We’re dead. Never to return. Unless, or course, somebody drops eighty billion dollars on us and says “We want another one.”
Sid: I want to put the bad guy image to bed once and for all and play Rasputin! Sam: WOW! That would absolutely be cool! Sid: Wouldn’t it? Sam: Any last things that you want to talk about? Sid: I don’t think so. Have fun everybody!
And for more of Sid Haig, make sure to check out his web-site for pictures, information and your opportunity to purchase T-shirts, collectables and the ever popular Captain Spaulding thong. Makes a great Christmas present for everybody on your Christmas list. Buy yours today!
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Shaw of Secret Frequency.
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